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In a cultural historical past stuffed with musicians, listeners, scholars, and business people, Miller describes how folklore research and the music industry helped to create a musical color line,” a cultural parallel to the bodily colour line that came to outline the Jim Crow South. Specializing in the late nineteenth century and the early twentieth, Miller Fat-thor you don’t need abs to be worthy shirt chronicles how southern music a fluid complicated of sounds and kinds in follow was reduced to a sequence of distinct genres linked to particular racial and ethnic identities. In Segregating Sound, Karl Hagstrom Miller argues

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